DISNEY
By Leaf Garrit
If you take a stroll through Lundy’s peerage, you’ll notice there are 92 Disneys listed.
By sheer quantity, that makes Disney a peerage name of some significance.
No Walt Disney biographers will tell you that.
Walter Elias Disney (/ˈdɪzni/;[2] December 5, 1901 – December 15, 1966) was an American animator, film producer, voice actor, and entrepreneur. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. As a film producer, he holds the record for most Academy Awards earned and nominations by an individual. He was presented with two Golden Globe Special Achievement Awards and an Emmy Award, among other honors. Several of his films are included in the National Film Registry by the Library of Congress and have also been named as some of the greatest films ever by the American Film Institute.
Famouskin lets a few cats out of the bag, admitting Disney is a direct descendent of:
- King Edward I
- William the Conqueror
- Charlemagne
Walt Disney Famous Kin (11935)
Also, a direct descendent of not one or two, but eight Magna Carta Surety Barons.
Magna Carta - Wikipedia
That is enough to prove his veins are brimming with the top Phoenician bloodlines.
Where did ALL the Phoenicians Go? – Library of Rickandria
Do you personally know anyone with direct lines back to even one of the Magna Carta Barons, much less eight?
I thought not.
Two of William the Conqueror’s military commanders, a father-son duo, were Disneys.
But they weren’t originally Disneys; they were Robert and Hugues Suhard, granted the title Lord of d’Isigny in 1066, as they were from Isigny-sur-Mer.
Isigny-sur-Mer - Wikipedia
If you trace them back, they were actually Lords of Craon first and, in the maternal line, Counts of Anjou, which takes us back to Charlemagne.
Hugues Suhard d'Isigny (1032 - d.) - Genealogy (geni.com)
The Anjous also came from the Komnenes, so Walt was also a Komnene, a.k.a. Cohen.
Komnenos - Wikipedia
Given this and the fact that there are so many Disney's in the peerage, it’s sort of surprising that they have not admitted Walt was a peer himself.
And they have scrubbed the peerage Disney's of connections to any major families, such that it’s not clear why they show up in the peerage at all, despite there being so many of them.
We may assume they’re in there because they trace back to Charlemagne and William the Conqueror, but that’s not the only reason.
Six of the Disney's have the first name Brabazon, starting with the earliest Disney in the peerage, born in 1711.
That is not a normal first name, of course.
It means that the Disneys come from the Brabazons, Earls of Meath going back to the 1500s.
Brabazon - Wikipedia
Sir William Brabazon was Lord Justice and Vice-Treasurer of Ireland, meaning he was Ireland’s top banker.
To this day the Brabazon family still owns its primary estate, Kilruddery House, in County Meath, just south of Dublin:
Killruddery House (also spelled "Kilruddery") is a large country house on the southern outskirts of Bray in County Wicklow, Ireland, approximately 20 km (12 mi) south of Dublin. The present structure is a south-facing multi-bay mansion, originally dating from the 17th century, but remodeled and extended in 1820 in the Elizabethan style. It is constructed as variously single, two, three and four storeys in the shape of an irregular quadrangle enclosing a courtyard. To the north an office wing incorporates the 17th-century portion, and to the south and west is a large domed conservatory, the orangery, designed by William Burn in about the 1850s. The house sits within a large, landscaped demesne which features a pair of 550-foot-long parallel reflecting pools on the south lawn.
Brabazon Disney was born in County Louth, just an hour north of Kilruddery House, and was Archbishop King’s Lecturer at Trinity College in Dublin.
The Brabazon Disneys are also related to Smyths, and the Earls of Meath were also related to Smyths.
We even find a Disney-Roebuck marrying a great-grandson of the 8th Earl of Meath in 1868.
In other words, they do a terrible job trying to scrub the link between the Disneys and Brabazons.
The Brabazons link to all the top peerage families, most closely to the:
- Manners, Earls of Rutland
- Maitlands, Earls of Lauderdale
- Viscounts Chaworth
- Ponsonbys, Earls of Bessborough
- Meades, Earls of Clanwilliam
and Grimstons, Earls of Verulam.
Here is Reginald Brabazon, 12th Earl of Meath, sporting the Collar of the Order of St. Patrick, the Irish equivalent of the Order of the Garter, a supremely spooky Phoenician accolade.
Phoenicians: ANCIENT SPOOKS – Library of Rickandria
We can also link Walt to the Brabazons through his wife Lillian, whose great-grandfather was Amos Meade Short.
Amos Mead Short (1810–1853) • FamilySearch
The Brabazons and Meades were closely related, remember.
As expected, then, Walt married a cousin.
And I am sure you noticed the last name, Short, which is Jewish.
Exposing the Jews – Library of Rickandria
Think Martin Short.
Martin Hayter Short OC (born March 26, 1950) is a Canadian American comedian, actor, and writer. Short is known as an energetic comedian who gained prominence for his roles in sketch comedy. He has also acted in numerous films and television shows. He has received various awards including two Primetime Emmy Awards, and a Tony Award. Short was made an Officer of the Order of Canada in 2019.
Walt’s wife was partly Jewish.
How the Jews Deceive the Gentiles – Library of Rickandria
There’s another big clue hiding in Walt’s ancestry:
his great-grandfather was Arundel Elias Disney.
Arundel Elias Disney (1801–1880) • FamilySearch
Arundel’s father-in-law was also named Arundel, signaling another cousin marriage in Walt’s recent lines.
Like Brabazon, Arundel is not a first name.
It is, however, a name you would choose if you came from the Fitzalan-Howards, Earls of Arundel.
Remember, they already admit Walt descends directly from William the Conqueror, who was a Fitzalan.
The last Grand Master of the Order of St. Patrick was a Fitzalan-Howard, around the time Reginald Brabazon was a member, so these families ran in the same high circles.
If you think Kilruddery House was impressive, here is Arundel Castle:
Perhaps all the castles and princesses featured in Disney stories were inspired by Walt’s own ancestry?
Just a thought.
Here’s another unlikely link:
you may know that Mickey Mouse was originally called Mortimer Mouse.
The Mortimers were a powerful Norman noble family, and they were related to the Fitzalans.
See Isabella Mortimer, who married the 7th Earl of Arundel.
At Wargs we also learn that Walt is a close cousin of both Samuel Morse and Charles Goodyear, and a more distant cousin of every U.S. president, which you probably already guessed.
European Royal Bloodline of the American Presidents – Library of Rickandria
We also get a few choice names up the family tree, including:
- Gross
- Leavens
- Burrough (Baruch)
and Fox.
He’s also a Caulfield.
All Jewish names, which would explain his looks, which were not very Irish.
Look again at the photo at the top.
You’ve seen photos of Walt all your life, and no doubt you never realized until this moment how glaringly Jewish he looks.
The truth is always staring you in the face.
Speaking of which, Disney’s top animators and writers have always been Jewish.
This includes:
Marc Fraser Davis (March 30, 1913 – January 12, 2000) was a prominent American artist and animator for Walt Disney Animation Studios. He was one of Disney's Nine Old Men, the famed core animators of Disney animated films, and was revered for his knowledge and understanding of visual aesthetics. After his work on One Hundred and One Dalmatians he moved to Walt Disney Imagineering to work on rides for Disneyland and Walt Disney World before retiring in 1978. Walt Disney once said of Davis, "Marc can do story, he can do character, he can animate, he can design shows for me. All I have to do is tell him what I want and it's there! He's my Renaissance man."
Marc Davis
Milton Erwin Kahl (March 22, 1909 – April 19, 1987) was an American animator. He was one of (and often considered the most influential of) Walt Disney's supervisory team of animators, known as Disney's Nine Old Men.
Milton Kahl
Art Babbitt (Babitsky)
Eric Allen Goldberg (born May 1, 1955) is an American animator, voice actor, film director, and producer known for his work at Disney's Walt Disney Animation Studios and 20th Century Animation, as well as Warner Bros. Animation.
Eric Goldberg
Joe Grant
Martin A. "Marty" Sklar (February 6, 1934 – July 27, 2017) was a scriptwriter and construction developer. He was The Walt Disney Company's international ambassador for Walt Disney Imagineering, the subsidiary of the company which designs and constructs Disney theme parks and resorts across the world. He was formerly vice president of Concepts and Planning for the company, before being promoted to president, then vice chairman and principal creative executive before his final role. Disney honored him with a Disneyland window dedication ceremony on his date of retirement, July 17, 2009.
Marty Sklar
Ed Solomon
Richard and Robert Sherman, and so on.
Walt’s top marketing executive was Kay Kamen, born Herman Kominetzky, a Russian Jew who increased the licensing of Disney products by 10,000% in just five years.
The Jewish Takeover of Russia – Library of Rickandria
He is famous for his boast about,
“Getting the Three Little Pigs up in lights in New York’s strictly kosher Ghetto, and making them like it.”
Not something you’d expect to hear from another Jew, but then, like Walt, he wasn’t just a Jew, he was a Phoenician.
His name says it all – a Kominetzky is a Komnene.
So, he was one of Walt’s cousins.
For more proof of his Phoenician blood, one of Walt’s ancestors was Mechizedek Disney.
Melchizedek is an old Canaanite name meaning,
“My king is Zedek”
Zedek, later Sydyk, was a Phoenician god who reputedly fathered the Samothracians, inventors of the ship.
Samothrace - Wikipedia
In other words, he fathered the Phoenicians, who as we know were originally Canaanites.
Canaan - Wikipedia
All of this puts to rest the ongoing theater about Walt being a virulent antisemite.
Mary Louise "Meryl" Streep (born June 22, 1949) is an American actress. Known for her versatility and adept accent work, she has been described as "the best actress of her generation". She has received numerous accolades throughout her career spanning over four decades, including a record 21 Academy Award nominations, winning three, and a record 33 Golden Globe Award nominations, winning eight.
See Meryl Streep’s comments to that effect, which were supported by Walt’s own grandniece.
Walt Disney’s grandniece backs up Meryl Streep’s racism claims: ‘Anti-Semite? Check. Misogynist? OF COURSE!!!’ | The Independent | The Independent
Helene Bertha Amalie "Leni" Riefenstahl (German: [ˈleː.niː ˈʁiː.fn̩.ʃtaːl] ⓘ; 22 August 1902 – 8 September 2003) was a German film director, photographer and actress known for producing Nazi propaganda.
Walt was purportedly pro-Nazi, and it’s known that he invited Nazi propagandist Leni Riefenstahl to Hollywood in 1938 to promote her film, Olympia.
The BEER HALL PUTSCH was Faked! – Library of Rickandria
According to the Jewish Press, when Walt visited Munich in 1935, Nazi newspapers,
“Warmly welcomed him as a hero who stood up to the Jews of Hollywood.”
You have to laugh at that, and at this:
“Goebbels is said to have presented 12 Disney short films to Hitler as a Christmas present in 1937, which the latter treasured.”
Yes, it’s known that Hitler was a big fan of Disney.
Hitler’s Genealogy – Library of Rickandria
Since we know Hitler and Goebbels and all the top Nazis were Jewish, and Naziism was really cloaked Zionism, we know what to make of all that.
The Jewish Founder of Marxism: Communism is Zionism & Zionism is Jewish Theocratic Global Dictatorship – Library of Rickandria
Walt was pro-Nazi – because he was pro-Jew.
Relentless Problems with the Jews Go Back for Thousands of Years – Library of Rickandria
All that theater has been spun up to divert attention away from the more obvious fact that Walt was not just pro-Jew, he was a Jew.
And more importantly, a Phoenician.
In fact, we can make a double inversion of it and admit that Walt wasn’t pro-Jew, at least not in the way you think.
Like his cousin Kominetzky, Walt probably disdained working-class Jews.
His rich blood wouldn’t suffer them.
Power of the Purse: The Origin of Money – Library of Rickandria
Walt only cared about his upper-class Jewish cousins.
He and they had first dibs on all the top creative positions in the industry because they created the industry.
To illustrate my point:
on his Disney job application, when asked about his hobbies, Art Babbitt wrote “sexual intercourse”.
Why Christianity Attacks Sexuality – Library of Rickandria
And he still got the job.
Why?
Because it was all a formality; Art knew he’d get the job, so why bother taking the application seriously?
30 Funniest Résumés and Job Applications We’ve Ever Seen (careeraddict.com)
Again, none of us cares that these coveted positions went to Jews per se, especially as many of them were quite talented.
The problem is that there is never a fair chance for you and me.
How many aspiring cartoonists and writers never saw their talents fully developed or recognized because they weren’t from these families?
One huge implication is that our culture could have been formed by different stories and artistic forms than have been imposed on us largely by default.
When Jews own all of Hollywood:
- all the art museums
- all the publishing houses
- all the music labels
we only get what is pushed down to us.
And since the Phoenicians handed over all the artistic fields to their Intelligence agencies around the turn of last century, we have gotten more and more anti-art – superficial, self-destructive, propagandist art.
Disney is a prime example of this.
You may be aware that Disney Studios was commandeered by the government to produce war propaganda in the 1940s.
In fact, that’s basically all they did, as over 90% of Disney employees were devoted to producing propaganda.
There’s a whole Wikipedia page on it, if you care to know.
Walt Disney's World War II propaganda production - Wikipedia
They made propaganda for every branch of the U.S. military and government – everyone from the USDA to the Treasury Department.
Henry Morgenthau Jr. (/ˈmɔːrɡənθɔː/; May 11, 1891 – February 6, 1967) was the United States Secretary of the Treasury during most of the administration of Franklin D. Roosevelt. He played a major role in designing and financing the New Deal. After 1937, while still in charge of the Treasury, he played the central role in financing United States participation in World War II. He also played an increasingly major role in shaping foreign policy, especially with respect to Lend-Lease, support for China, helping Jewish refugees, and proposing (in the "Morgenthau Plan") measures to deindustrialize Germany.
For the latter they made the film The New Spirit, by direct request of Treasury Secretary Henry Morgenthau Jr. (Jewish),
“To make Americans accept the payment of income taxes.”
The FED: Federal Reserve – Library of Rickandria
Disney made the propaganda that Morgenthau needed to shove down the public’s throat so that he could pull off one of the greatest thefts of that century.
Before the ‘40s Disney was headed into financial collapse, so the war was a huge boon for them – so much so that one scholar said that,
Disney made the propaganda that Morgenthau needed to shove down the public’s throat so that he could pull off one of the greatest thefts of that century.
Before the ‘40s Disney was headed into financial collapse, so the war was a huge boon for them – so much so that one scholar said that,
“If it weren't for the U.S. Military, the Walt Disney Company might not exist today.”
That’s a big clue for you, if you read it correctly:
Disney is an Intelligence asset, not just in the ‘40s but now.
They continue to crank out Langley-approved propaganda aimed at manipulating civilian behavior up to the present day.
Michael Dammann Eisner (born March 7, 1942) is an American businessman and former chairman and chief executive officer (CEO) of The Walt Disney Company from September 1984 to September 2005. Prior to Disney, Eisner was president of rival film studio Paramount Pictures from 1976 to 1984, and had brief stints at the major television networks NBC, CBS, and ABC.
That’s one reason why Disney CEOs have always been Jewish, starting with Walt himself, then Michael Eisner, then Bob Iger.
Robert Alan Iger (/ˈaɪɡər/; born February 10, 1951) is an American media executive who is Chief Executive Officer (CEO) of The Walt Disney Company. He previously was the President of the American Broadcasting Company (ABC) between 1994 and 1995 and President and Chief Operating Officer (COO) of Capital Cities/ABC, from 1995 until its acquisition by Disney in 1996. Iger was named President of Disney in 2000 and succeeded Michael Eisner as CEO in 2005, until his contract expired in 2020. He then was Executive Chairman until his formal retirement from the company on December 31, 2021. After his exit from the company, Iger continued as an advisor to his successor.
I wouldn’t be surprised if they were on Langley’s payroll directly.
Which bring us to Frozen, Disney’s latest hit franchise and an exemplary piece of propaganda.
To start, those films were written and directed by Jennifer Lee, born Rebecchi, now Disney’s Chief Creative Officer.
Jennifer Michelle Lee (born Rebecchi; October 22, 1971) is an American filmmaker. She is the chief creative officer of Walt Disney Animation Studios. She is best known as the writer and one of the directors of Frozen (2013) and its sequel Frozen II (2019), the former of which earned her an Academy Award for Best Animated Feature. Lee is the first female director of a Walt Disney Animation Studios feature film and the first female director of two feature films that each earned more than $1 billion in gross box office revenue. She has won an Academy Award, a BAFTA Award and an Annie Award, and has been nominated for one more BAFTA Award and two more Annie Awards.
Rebecchi is a Jewish name – see here and here.
It comes from the name Rebekah.
Am I beating a dead horse yet?
Hans Christian Andersen (/ˈændərsən/ AN-dər-sən, Danish: [ˈhænˀs ˈkʰʁestjæn ˈɑnɐsn̩] ⓘ; 2 April 1805 – 4 August 1875) was a Danish author. Although a prolific writer of plays, travelogues, novels, and poems, he is best remembered for his literary fairy tales.
Previous attempts at Disney adaptations of Hans Christian Andersen’s The Snow Queen were made by Harvey Fierstein, Dick Zondag, and Dave Goetz – all Jewish.
Okay, now I’m beating a dead horse.
Except that the horse won't die.
You have to keep beating it, since—like the Phoenix—it keeps re-animating.
If you don’t know the Frozen plotline, I recommend you go and read it yourself over at Wikipedia.
Frozen (2013 film) - Wikipedia
If you don’t have the patience for that, just read this quote from producer Peter Del Vecho:
For us the breakthrough came when we tried to give really human qualities to the Snow Queen.
When we decided to make the Snow Queen Elsa and our protagonist Anna sisters, that gave a way to relate to the characters in a way that conveyed what each was going through and that would relate for today’s audiences.
This film has a lot of complicated characters and complicated relationships in it.
There are times when Elsa does villainous things but because you understand where it comes from, from this desire to defend herself, you can always relate to her.
The Snow Queen is the villain in the original story who traps children in her ice palace, but in Disney’s retelling, her evil actions – like subjecting her entire kingdom to eternal winter – are just emotional outbursts due to her “complicated” nature.
It’s a tad more subtle than other Disney productions, but the message is the same:
being an insufferable, self-absorbed brat is perfectly fine.
Meanwhile, the real villain is Prince Hans from the Southern Isles*, who appears to be the typical Prince Charming but is actually seducing Anna in order to kill both sisters and take control of their kingdom.
They’re inverting all the traditional roles.
The evil queen becomes the heroine, while Prince Charming becomes the heartless traitor.
If nothing else, watch the scene where Hans finally betrays Anna.
Do you see how damaging this will be to young girls?
They are being conditioned from an early age to distrust men, especially ones who appear most:
- normal
- caring
- intelligent
It’s about splitting the sexes, and it works both ways.
Mental Health & the Men are Pigs Project – Library of Rickandria
Girls now have as their role model, not Anna, but Elsa, the frigid (literally), independent, and misunderstood queen.
Only by being this way can she protect herself from treacherous men.
But men don’t want frigid women, so these stories are ruining the world for men as well.
Boys are now going out into a world full of frigid girls.
The moral of Frozen is supposedly that love is the only “magic” that can overcome a cold, hopeless world, but the storyline totally subverts this.
Magic or Magick? – Library of Rickandria
Anna, the one who is desperate to love and be loved, is presented as gullible and weak, while Elsa is the one who demonstrates the climactic act of “true” love by hugging…her sister.
In other words, little girls, real love is a gift for other women, not for men.
It’s the perfect inversion of Snow White:
The frigid woman holds all the power now, and Prince Charming is removed entirely, since he is no longer needed.
But at least they got the title right:
Frozen.
As in Frigid.
I guess that title would have been too obvious.
This is what the religious right has always gotten wrong.
They’ve attacked Disney and Hollywood for promoting promiscuity, but the agenda was always the reverse.
Disney wants your kids brainwashed and traumatized as early as possible to put them off sex and any kind of healthy male-female relationships.
That teenagers are now keeping their virginity longer and longer is proof that this was the goal all along.
If they have to satisfy their urges, they have porn and sexting – anything to keep their eyes glued to a screen, where propaganda can be uploaded straight to their brains 24/7.
How Propaganda Works – Library of Rickandria
This was the same agenda back in the earlier days of Disney, when they were inserting porn and sexual innuendos into their films.
They’ve basically admitted now that these subliminal messages and images were intentional, and that Disney executives knew about them.
See this HuffPost article with Disney animator Tom Sito, which claims to disprove many of the most infamous insertions but ends up making a stronger case for them.
Tom Sito (born May 19, 1956) is an American animator, animation historian and teacher. He is currently a Professor at USC's School of Cinematic Arts in the Animation Division. In 1998, Sito was included by Animation Magazine in their list of the One Hundred Most Important People in Animation.
Take the infamous Playboy centerfold in The Rescuers Down Under, for example:
“[In] the first 'Rescuers' there was the nudie picture,” says Sito.
The animator went on to explain that when there was a reedition of the movie, a lot of the original executives who produced the video tape were gone.
Not knowing about the naked image, the new executives used the original negative from 1977 in the reedition.
This reportedly led to a major recall.
“If somebody had asked an artist, he would say, 'Oh yeah, there’s a naked picture in there.
I mean, the Playboy centerfold.
Everybody knows that.'
Everybody who was in animation knew about the centerfold.”
Sito implies that the old executives knew about it, which means they approved it.
All the animators knew about it, too – and do you really think none of them were consulted in the reedition?
Then Sito says:
You know in pre-video and pre-VHS and VCR and stuff, people used to put little inside jokes in films because things were running at 1/24 of a second.
So, you say,
“Well, nobody’s seeing anything.”
... And then so [cartoonists] will do that as a joke.
But really since the modern age of playing back stuff and everything, they look at everything now, even the old films.
They’ll go frame by frame, and they’ll pull those questionable things out all the time.
I repeat:
all the time!
How much porn did they hide in all those old cartoons?
It sounds like the Disney studio was a veritable clubhouse of perverts.
Remember, Babbitt put “sexual intercourse” on his job application – an application to be an illustrator for children’s movies.
But again, the point was not to sexualize children, it was to de-sex them.
Exposure to sexual images before puberty often causes aversion to sex in adulthood, and they knew that.
But I still think those subliminal messages are mostly a diversion, since the more overt messages are far more damaging.
Again, consult the Hans betrayal scene.
If you do watch that scene, you might pick up on something else.
What is the name of the kingdom that Elsa rules over?
Arendelle.
Sound familiar?
That’s Arundel – as in, Earl of Arundel, Disneys' real-life cousins.
Earl of Arundel - Wikipedia
*
The Southern Isles could be a veiled reference to the cloaked war between the Northern and Southern lines of the Phoenicians.
But as the Northern lines were the infiltrators, they are inverting history as usual.
Since Disney is owned by the Northern lines that won out – in the form of Vanguard, BlackRock, etc. – it’s no surprise to find them blackwashing the Southern lines.